Last November, standing in a muddy field at 9pm watching cars line up in neat rows for a drive-in fireworks display, I caught myself doing two things at once: scribbling timing notes on a clipboard and quietly admiring how the colour sequence matched the music. That's basically my whole approach in one moment — half spreadsheet, half spectator.

The Analyst's Eye

I track crowd flow, parking logistics, sound delay, and audience reaction the way some people track football stats. Numbers tell me what works; patterns tell me what's worth repeating. I'm drawn to the mechanics behind a good show — the permits, the safety zones, the quiet planning that makes chaos look effortless.

The Writer's Instinct

But none of that data means much until it's translated into something a first-time organiser or a seasoned event planner can actually use. I write the way I'd explain things to a friend who just agreed to run their first show and has forty questions.

When I'm testing new approaches, I usually focus on:

• Vehicle spacing and sightline planning
• Audio synchronisation across car radios
• Weather contingency timing
• Local permit and noise regulations

If you're curious, sceptical, or just trying to figure out where to start, drop a line through contact — I enjoy the conversation as much as the research.